Tag Archives: Nadia

book reviews, celebrities, narcissists, politics, sports

Reviewing Nadia Comaneci and the Secret Police: A Cold War Escape…

A couple of years ago, I became aware of a new book about legendary Romanian women’s gymnastics champion, Nadia Comaneci. The book, titled Nadia Comaneci and the Secret Police: A Cold War Escape, was written by Romanian author, Stejarel Olaru, and published in 2021. For a long time, it was only available in Romanian. I was very eager to read this book, because not only am I fascinated with old school women’s gymnastics, but I’m also intrigued by Cold War politics, particularly in Romania.

Although I haven’t yet visited Romania, I have read several books about the Ceaușescu era, and watched some really interesting films about Romania before the fall of the Soviet Union and the Eastern Bloc states. So, the prospect of reading about Nadia’s experiences in Romania after she became a national treasure was very exciting for me. I was very pleased to see that the book was going to be translated into English (and other languages).

I just finished the Kindle English translated edition of Nadia Comaneci and the Secret Police: A Cold War Escape. Stejarel Olaru’s book was translated by Alistair Ian Blyth and made available in the US Amazon store this month. I had originally pre-ordered a print edition; that’s how much I wanted to read this book. I canceled that order when I realized I could get the Kindle edition sooner. As of just a little while ago, I have finished reading after a couple of weeks of effort. I’m glad to be finished with the book, which was very interesting, although less exciting than I had expected it to be.

I want to be very clear. This is NOT a book about Nadia’s life story. Elements of her life story and some information about her family are in the book, of course, as it’s not possible to deliver this story without those elements. But it’s important to note that this book is ultimately about the high price Nadia Comaneci paid when she made history at the 1976 Summer Olympic Games in Montreal. Those who read this book should also come with some knowledge of who Nicolae and Elena Ceaușescu were, and what their regime was like. Remember that until the former Romanian president and his wife were executed by firing squad on Christmas Day in 1989, Romania’s government was an oppressive totalitarian regime.

One month before the Ceaușescus were executed, Nadia Comaneci defected with several other Romanians. She did so out of desperation. She couldn’t take life as it existed under Ceaușescu and his Securitate (Secret Police) anymore. But Nadia was a “national treasure”, and as such, she was highly valued by the Romanian dictator’s regime. Nadia worked very hard to be able to achieve Olympic greatness, but after she reached that pinnacle, she was rewarded with constant surveillance at home… phone taps, interrogations, and constant pressure to maintain her physical prowess in a sport where it’s common to retire while still very young, especially at the elite level.

Olaru’s book begins in November 1989, when Nadia undertook her daring escape to Hungary with a group of more average citizens. The group fled across fields during a frigid night. The Romanian border guards missed them, but they were picked up by the Hungarians, who were shocked to find the famous gymnast among those who were fleeing. The Hungarians were going to let Nadia go, and send the rest of the party back to Romania. Nadia, being a team player, spoke up and said that she wouldn’t be going without the rest of the group.

Nadia in 1990, just after she left Romania. If she’d waited a month, she wouldn’t have had to defect.

Very soon after her illegal border crossing, Nadia was on her way to New York City. She lost a lot when she defected; the man she left with was a married man who abused her. A lot of Americans had a negative impression of her in the weeks after she defected. I remember reading a 1990 era Life Magazine article that really made Nadia out to be kind of lowbrow, implying that she was bulimic and a bit of a skank. The reality was, the man was basically holding her prisoner, beating her, and exploiting her for money.

Upon arrival in the United States, Nadia Comaneci requested and was granted political asylum. I remember watching Nadia in the news, as this was going on during my senior year of high school. I barely knew who she was, because I was only four years old when she won gold in Montreal, and lived in England at the time. I didn’t follow gymnastics until I was about 15 or 16 years old. Still, I remember very clearly the story in the news, and was fascinated by it, because although I wasn’t a gymnastics fan in Nadia’s day, I did grow up during the height of the Cold War.

I never dreamed, when I was a kid, that one day, that whole system would disintegrate within a couple of years. If there’s anything to learn from that era in history, it’s that things can change very quickly, forever altering or even ending people’s lives. That’s one reason why I get so worried about Trump and his admirers. History has shown us that things can change in a “New York Minute”, as Don Henley sang back in 1989.

Olaru’s book also offers a very negative and damning look at Bela and Marta Karolyi’s years as Romanian team coaches. As bad as some of the revelations have been from American gymnasts who have trained with them, they are even worse in this book, as Olaru writes about how the gymnasts were literally starved and sometimes physically beaten when they didn’t perform well. Securitate notes provided by alleged informants, such as Geza Pozsar, the choreographer who worked with the Karolyis, indicate that the gymnasts often wept because they were so hungry. As Nadia grew older, she and Bela had difficulties, because she was no longer as compliant as she had been. He could no longer “spank her bottom” when he wanted to, especially after she became famous.

I’ve watched Bela Karolyi for years when I’ve viewed women’s gymnastics on television. His public persona is that of a big bear, with lots of energy and enthusiasm. But, based on this book, and several others I’ve read by people who have trained with him and his wife, Marta, he is clearly an abusive coach on many levels. So far, I have not seen evidence that he sexually abused his gymnasts– thank God– but I have seen ample evidence that he was verbally, mentally, emotionally, and physically abusive to them. However, even the best gymnasts, like Nadia, got that treatment. At least he was somewhat “fair”, I guess.

When Bela and Marta Karolyi defected from Romania in 1981, the Securitate became even more intensive in their efforts to control Nadia Comaneci and protect their national treasure. Although she lived a relatively upscale life by Cold War Romanian standards, the reality was, she was more in a cage than her fellow Romanian citizens were. And the “lavish” privileges she enjoyed weren’t all that great. She did have a car and a seven room villa, for instance, but the villa was poorly insulated. Consequently, she slept in the kitchen so she could stay warm. And she didn’t necessarily have to stand in line to get food, like rank and file Romanians did, but the fact that she didn’t have to do that doesn’t exactly make for a luxurious lifestyle, as Romanian officials tried to indicate.

In many weird ways, reading about how Nadia and her family members were policed reminded me of reading about people trapped in cults or abusive relationships. The Securitate didn’t want Nadia to abandon Romania, so they were constantly looking and listening for indications of potential plans to leave. And they did things like tell her she couldn’t survive outside of Romania. They didn’t seem to realize that Nadia had already proven her incredible strength and resilience, not just in 1976, but in the years following that triumph, after she grew several inches and gained twenty pounds. For awhile, she was looking as washed up as John Travolta did throughout the late 80s. But, just like Travolta, Nadia Comaneci made a great comeback for the 1980 Moscow Games and came home with more medals. I don’t know why the Securitate didn’t see that she was capable of doing that again in 1989; she was only 28 years old when she left.

As I read this book and got some insight into Nadia Comaneci’s plight after her 1976 Olympic glory, it occurred to me why Nadia was known for never smiling. Based on Olaru’s accounts, backed up with actual notes from the Securitate, phone taps, interviews, and interrogations, it sounds to me like Nadia Comaneci’s life was a living hell. When she was being trained by Bela Karolyi, who has his own version of this story famously depicted in a movie about Nadia, she was evidently enduring a nightmare that we could never fathom. No wonder Nadia was willing to risk it all and leave for the West, once she retired from gymnastics.

Today, Nadia Comaneci is married to fellow Olympic gold medalist, Bart Conner, who won his medals in Los Angeles, back in 1984. They run their own gym in Oklahoma, and share a son named Dylan Paul Conner, who was born when Nadia was 44 years old. She still physically looks amazing, but I notice she smiles a lot more these days.

Overall, I think Nadia and the Secret Police is an excellent read for students of Cold War history, especially if they are interested in the Ceaușescu era and/or Romania. I will warn that this book is translated, and sometimes the translation gets a little mucked up. There were times, for instance, that the translator wrote names as they would be written in the Eastern Bloc or Soviet Union, with the last name first. Other times, he writes them as if they were in a western country. At times, the writing is also a little dry and formal, and there are some typos. I was surprised by the abrupt ending of this book, although I appreciated the many footnotes, notations, and photos.

Again, I cannot reiterate this enough. This book isn’t really for people who idolize Nadia or gymnastics and are looking for a life story. This is a book about history and politics. Nadia Comaneci just happens to be the subject, because she’s probably still the most famous Romanian in modern times. The focus is less on gymnastics, and more on world politics and intrigue. Yes, it’s useful for diehard Comaneci fans to read, but the focus is more on the oppressive government regime and less on Nadia Comaneci’s gymnastics prowess. I’m glad I read it. And I’m glad I’ve finished it, so I can move on to the next book.

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memories, nostalgia

“Aggressively influenced” by the public TV of my childhood…

Growing up in the 70s and 80s was an interesting experience. It seemed like back in those days, things were evolving somewhat. Computers were becoming more popular, as were synthesizers, and we had all these cool movies about outer space, like Star Wars and Flash Gordon. I don’t think I’ve ever watched Star Wars in its entirety, but I have seen Flash Gordon many times. I used to watch it on HBO all the time, even though I wouldn’t call myself a science fiction buff. I actually love Flash Gordon for its campiness and funny British humor moments.

One thing I remember a lot from being a kid in the late 70s was how much public television I watched. In those days, we’d watch educational TV in school, especially when I lived in Fairfax County. I remember being in first grade and exposed to The Electric Company for the first time. Of all of the public education shows I used to watch at school, that one was definitely my favorite. A couple of days ago, I had “Silent E” running through my head…

This song, and many like it, helped me learn how to read as I watched every episode of The Electric Company and other shows created by the Children’s Television Workshop.
This song still gets stuck in my head.

Tom Lehrer is a genius. He just turned 93 years old on the 9th, and his witty, entertaining songs have helped so many children, particularly of my generation, become better people through education. Lehrer is probably best known for his witty songs for children’s shows on PBS, but he was also a brilliant mathematician and satirist. After the 1970s, he got out of public performances to focus on his love of teaching math and musical theater history at the University of California, Santa Cruz. When I listen to Tom Lehrer’s entertaining songs and realize that he had so many other, diverse interests, it kind of makes me feel humble. How can just one person be that gifted?

What brings on this topic today? Well… for one thing, it’s Monday, and I don’t feel like writing about the depressing state of current events right now. I figure we don’t need another article about social justice, my (many) pet peeves, my personal problems, or the pandemic. For another thing, I woke up with a song stuck in my head. It’s been stuck for years and I’ll probably never figure it out. Technically speaking, it’s not even a song, since I don’t think it has any words. In the late 70s, it was played all the time on PBS… basically funky “groove” music that serve to prevent dead air caused by a pause in programming.

During that time, my family lived in Northern Virginia, where over the air television was easier to watch, because we were near Washington, DC. There was a lot of money in Fairfax County, too, so the public television stations as well as the local independent stations, WDCA (channel 20) and WTTG (channel 5) got a lot of support. There was some good TV on in those days… probably better than what I saw on British TV when we lived in England. Although we did live in base housing at Mildenhall Air Force Base, I distinctly remember getting British TV instead of AFRTS (or AFN, if you prefer), which is a conglomeration of American TV shows condensed into a channel and made available for government and military Americans living abroad.

I always liked watching TV, but I really got into it in Fairfax, and I specifically remember loving PBS… along with this psychedelic identification flourish…

Hearing this brings back so many memories of being a young kid in elementary school.

According to the comments on this particular video, this particular identification flourish was composed by Paul Alan Levi. He wrote a comprehensive and technical explanation of the musical components of this creation:

Paul Alan Levi

4 years ago I am the composer of the PBS logo. I created it using a Putney VCS3 Synthesizer, not a Moog, as is claimed on various websites. The final chord is a G major 9th (major triad, major 7th, major 9th). I was working in a music/sound effects editing studio; all the equipment was in mono. No multi-track recorders. The descending scale was probably a sine wave (can’t remember exactly 46 years later) frequency modulated by a square wave to create the trill effect, then that sound frequency modulated by the descending part of a sawtooth wave from a low frequency oscillator. In order to synchronize the 6 final notes with the video, I had to record each note separately, then use a Moviola to synchronize each one with one of the popons. The result was 7 analog tracks all running at once, which multiplied the hiss that Glen Tindal remarked on earlier. It was odd for many years to be a composer whose music was heard by millions of people, none of whom knew I had composed it. There has always been a small subset of people who were terrified by the logo, which mystifies me. My two-year old daughter would hear it before or after Sesame Street and say happily, “Daddy’s tune.” My theory about this is that the sounds of the pure sound waves produced by the Putney were quite aggressive, and some people reacted to the intensity of those sounds.

Based on his explanation, I can only assume that Paul Alan Levi is some kind of a genius, too, who not only knows music, but is also a technology wiz. Or, at least he was a wiz in the late 70s and early 80s! I got a kick out of the comments from people who wrote that this thing “scared” them. I can kind of understand why. It has kind of an aggressive tone to it… harsh, loud, and unmistakable. When that thing came on before a program, you knew it was time to shut up and sit still… and maybe eat a Hostess Ho Ho or something. We were allowed snacks at Oak View Elementary School, and in those days, no one cared if they were full of chemicals. To this day, when I hear the PBS psychedelic chimes, I think of the processed snack cakes kids ate back then. No wonder so many of us are fat!

I ‘ve always loved the theme song for 3-2-1 Contact. It reminds me of “Goodbye Stranger” by Supertramp.

I remember watching 3-2-1- Contact at school, but I never enjoyed it as much as I did The Electric Company. I liked science, so I don’t know why I didn’t love this show more beyond the awesome theme song. I still remember the video montage shown during the credits, as well as the musical intro for the Children’s Television Workshop– again with the synths! We loved synths in the early 80s!

I especially remember this one.
See?

And I think I liked Sesame Street’s funky horn infused end credits even more than the official “Sesame Street” theme song. They hold up well even in 2021!

I love the opening credits and theme…
From 1:53, you can hear some funky music as the end credits roll!

Today’s youngsters have so many things to occupy their attention. I wonder what they’re going to be like when they’re in their 40s? One of the things I like about my generation is that so many of us had very similar experiences, simply because the Internet didn’t exist. We were all allowed to run wild in our neighborhoods and people weren’t calling CPS at the drop of a hat, every time some kid dared to venture beyond the front or back yard. I can remember doing things as a young child that I would never dream of allowing a child of today to do, like walk to a mall by themselves. When I lived on Portsmouth Road in Fairfax, I used to walk to University Mall by myself all the time. I was six or seven years old! I’d collect old glass bottles and turn them in for money, then hit the High’s Convenience Store and buy a candy bar for 26 cents. Nowadays, a child wandering the mall that young would be picked up by the police.

A memorable tune from The Electric Company… this one sounds a little inspired by Jim Croce.
Glad I don’t wait tables anymore.
I once shared this video on my original blog and got a blatant spam comment from a plumber. At least he took the time to try to make his comment someone on topic, remembering this from his childhood, too. I notice the person who uploaded this got spam links from plumbers, too.

When I wrote a post about The Electric Company on my original blog, I was inspired to do so because the sink in the kitchen of our rental house was not putting out hot water. The property management company sent someone over to check into it. He was in the middle of a spiel about how cheap the plumbing fixtures were when finally, after about five minutes, we got somewhat warm water. The property managers billed us $80 because they said it was our “responsibility” to check the water before complaining. I remember calling them up and chewing them out, since we were in Texas and there was a pretty severe drought going on. I asked them how long I was expected to let the water run, waiting for it to get hot, when the city was telling us to conserve. Then I bitched at them for not fixing the garage door, which was dented when we moved in.

The original property managers who set up the rental had said it was going to be fixed, but two weeks into our lease, another company– one that I had tried really hard to avoid– took over. They lived up to every one of their bad reviews, and tried (and failed) to screw us out of money at the end of the lease. I was so glad to get out of that house a year later. Of course, I didn’t know that when we moved to Germany, we’d be running into the first landlady we’d have to sue. She is now officially the worst landlord we’ve ever had, but prior to our experiences with her, the rental company in San Antonio was. If we ever do move back to the States, I hope to God we buy our own home. It may suck just as much to own a house, but at least it will be ours!

Cool theme song!

I never did get into Mister Rogers Neighborhood. For one thing, I was probably too old for it. For another, I found Mister Rogers annoying. He was probably too nice, and the way he spoke got on my nerves. Of course, in these troubled times, a lot of people probably would love to still have him around. He was gentle and calming, and he promoted being good to others. Same as Bob Keeshan as Captain Kangaroo, although I never watched much of that show. It always came on during early school hours. And The Great Space Coaster did, too, although that show wasn’t on PBS. It just had a groovy theme song and a cool animated intro.

Supposedly, this aired on PBS… it’s a little ridiculous. We sure were scared of the Soviets back in the day.

I see one of the kids in the show above was Leslie Weiner, who played a young Nadia Comaneci in the 1984 movie, Nadia. And the little girl in the still is Toni Ann Gisondi, who played Molly in the 1982 film version of Annie. April Lerman is also in this (ETA: I don’t see April listed anywhere, but on IMDB)! She was also in Annie, as well as a guest on Growing Pains, and a terrible Schoolbreak Special about bulimia called Little Miss Perfect. I remember that in the early 80s, everybody was afraid the Soviets were going to invade and turn us all into communists. Fourteen years later, I lived in Armenia, which was once a Soviet country. It’s now an independent country, and putting out some very fresh ideas. Having had that experience, I can say that our fears were probably a bit overblown.

Well… I have probably journeyed along the nostalgia path long enough. Guess I’ll get dressed and take the dogs for a stroll. I could watch these videos all day, though. I miss being young.

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