book reviews, religion

Reviewing Daughter of Gloriavale: My Life in a Religious Cult, by Lilia Tarawa…

Roughly a month ago, I wrote a post about Gloriavale Christian Community, a religious sect founded by Neville Cooper, otherwise known as Hopeful Christian, and located in New Zealand. That post was prompted by a message I got from a lawyer in New Zealand who is involved in litigation against the community. The lawyer had read my review of I Fired God, by Jocelyn Zichterman. Zichterman was raised in the Independent Fundamentalist Baptist Church, but left the church after many years of abuse. The New Zealand based attorney was hoping I would spread the word about a similar situation in his country. At the time, I didn’t think I’d heard about Gloriavale Christian Community, but then I went on YouTube and, sure enough, found a video of a TED Talk done by Lilia Tarawa that I’d seen a few years ago.

I included this video in my previous post about Gloriavale, but it bears repeating here.

Lilia Tarawa also wrote a book about her experiences growing up in a “religious cult”. In her case, it was a church founded by her grandfather, a charismatic man who was born in Australia and came to New Zealand in 1969 to start his movement. Because Tarawa’s grandfather’s name was Cooper, the group was originally called “Cooperites”. But then one day, Neville Cooper had a revelation that all of the sect’s members should change their names to something more “Christian”. So Neville Cooper became Hopeful Christian. Just about everyone else in the group also abandoned the names given at birth and adopted positive “Christlike” adjectives as their names. For instance, one man changed his named to “Fervent”, while another was called “Stedfast”. Another changed his name to “Willing”. Many of the members also changed their last names, as Cooper did. Lilia writes that her parents were high ranking enough that she and her siblings weren’t forced to change their first names, although they did adopt the surname “Just” for a time… until they eventually fled the group.

A screengrab from Tarawa’s Ted Talk.

In her 2017 book, Daughter of Gloriavale: My Life in a Religious Cult, Lilia Tarawa describes what it was like for her and her siblings to grow up in a very regimented community. Lilia is one of ten children, nine of whom were raised in Gloriavale. Only her youngest sister, Arielle, was not born on the compound. Lilia’s parents were also born in Gloriavale; her mother was named Miracle because Miracle’s mother had been pregnant with her when she, Neville Cooper, and two others were in a plane crash. Truly miraculously, everyone involved in the crash survived with cuts and bruises.

Growing up, Lilia wore long blue dresses and white headdresses. She was not permitted to cut her hair, shave her legs or armpits, or wear makeup. The community had a school and a library, but the books Lilia and her friends and family members were allowed to read were limited and highly censored. Lilia was not allowed to listen to “worldly” music. She and the rest of the females in the community were taught that they were to follow men, specifically Tarawa’s grandfather, who was regarded as a living prophet of sorts.

Once the girls had their first menstrual periods, they were deemed old enough to marry. The marriages were arranged, and the women were expected to have many babies and do what was regarded as “women’s work”– cooking, childcare, teaching, and the like. Females were not encouraged to excel academically or aim for careers outside of the community. The men were expected to work for the many companies owned and operated by the community, or to do manual labor. Everyone read the Bible. The whole community ate meals together, and whole families lived in large, single rooms. When the women had babies, they were mostly delivered on the compound. Childbirth was considered a natural thing, and medical people were not involved unless it was unavoidably necessary. From the age of seven, Lilia was helping women give birth. So were her brothers and sisters.

In spite of what many of us “born worldly” folks might think, Lilia Tarawa grew up thinking she lived in a paradise. Everything was taken care of, and she was surrounded by family and friends, as well as New Zealand’s natural beauty. And everyone wore the same clothes and lived the same lifestyle, so it wasn’t like Lilia missed anything more “normal” kids had. Sometimes, new people would join the community. Lilia’s friend, Graciela, who had been born in Chile and adopted by a white family, came to the group and introduced Lilia to things she had never known about. Lilia couldn’t pronounce Graciela, so she just called her friend “Grace”. Grace and her family eventually left New Zealand for the Elmendorf Christian Community in Minnesota, but Grace eventually returned to Gloriavale. She had a great impact on Lilia’s coming of age. It was through Grace that Lilia first got a taste of the world beyond her grandfather’s artificial utopia.

As she got older, Lilia’s view of the community began to change. She was a smart young woman who did well in school. One day, her grandfather rebuked her in front of the community. He read in her progress report that she had “leadership capabilities”. Hopeful Christian was miffed, since he didn’t think girls should be leaders. Lilia was humiliated as he berated her in front of everyone. Another day, she was in a library and found a romance book. It was forbidden for her to read such a book, since it was considered “worldly”. But she started to read it and became hooked, then smuggled it out of the library. Her brother, Sam, found out that Lilia had taken the book and snitched on her. Musical artists, like Shania Twain, were very attractive to Lilia. But Shania’s music, as well as Justin Timberlake’s, Taylor Swift’s, and Beyonce’s, were forbidden to Lilia. She was still introduced to them by way of friends like Grace, or by chance.

And then there was the shunning. Lilia’s older sister, Sara, and her brothers, Sam and Victor, decided they couldn’t tolerate Gloriavale anymore. They left, and were shunned by the family. Of course, Sara, Sam, and Victor were wholly unprepared for life outside of a religious cult. They had to figure out how to live in the modern world before they were legal adults. There were also other abuses detailed in the book, such as corporal punishment. The group is, not surprisingly, a proponent of not sparing the rod as a way of showing “love” to children.

Naturally, Lilia and her family eventually left Gloriavale, or this book would not exist. I don’t want to give away more of the story, since I do think this book is well worth reading if you’re interested in religious communities. Lilia Tarawa writes well, and has an engaging voice. My one complaint is that the lead up to her “escape” is a bit long. Once you get to the escape and her emergence into the world, the book is pretty much ending. I think this book would have been an even stronger account if she’d spent a little more time writing about adjusting to life outside of Gloriavale. But maybe she’s planning a new book for that part.

I did find it interesting to read about how Lilia went from reading the Bible, waterskiing in long dresses, and birthing babies, to clubbing, wearing tight pants, shaving her legs, and drinking liquor. I see on her official Web site, which I linked above, that Lilia is into yoga, public speaking, and writing. She writes of wearing Tommy Hilfiger sunglasses and typing on an iMac, a far cry from the more luddite existence she had when she was a child. Lilia writes that she found herself embracing her sexuality, but it was a shock to get to that point. Even the act of having her hair trimmed and layered was a bit scary for her, although she enjoyed the results. Again… these were aspects of the book that I found intriguing and would have liked to have read more of, rather than stories from her coming of age. Or, at least I think she should have balanced them out a bit with explaining more about what it was like to become of the world. A lot of her experiences seem to be about discovering pop music, fashion, and being a “normal” young person by attending clubs. But as we all know, plenty of “normal” young folks aren’t obsessed with pop music, fashion, or clubbing.

In any case, I’m glad I read about Gloriavale. It is an interesting community, and Lilia Tarawa has offered the world a fascinating look at a group a lot of people don’t know about. I wasn’t as horrified by her story as I was Jocelyn Zichterman’s, but I am glad she was able to leave the community with her family, and they have been able to find peace and joy outside of the cult. And perhaps most tellingly, when Lilia did go back to visit Gloriavale, she listened to her grandfather speak, and realized he was nothing more than a narcissistic charlatan. The hero image she’d had of him when she was growing up was shattered. I think a lot of us can relate to that experience, as we mature and start seeing the world and the people in it through more experienced eyes. It’s kind of sad when that happens, but I think it eventually does lead to more enlightenment and the chance to live a more authentic life. So… here’s to Lilia Tarawa and her family’s new life of freedom and discovery. May they live long and prosper in this crazy, modern world.

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movies, politics, religion

Colonia– how a 2015 movie helped me understand a Sting song from 1987.

Yesterday, after writing my second and mostly original rant, I decided to watch a movie. iTunes has a bunch of them on sale, so I often look to see what I can get cheaply. A lot of times, I get films I’ve already seen a bunch of times– guilty pleasures that never get old. Every once in awhile, I find a movie I haven’t heard of, but I’m intrigued by the description. Colonia, a 2015 film that was mostly made by Germans, Brits, Frenchies, and Luxembourgers, was one of those films I hadn’t heard of, but got sucked into because of the description. Plus, it only cost me $4.99 to buy it, although at this writing, someone has uploaded the whole film to YouTube.

A trailer for the film, Colonia.

The plot

It’s 1973, and Lena (Emma Watson), a German flight attendant for Lufthansa, and her German boyfriend, Daniel (Daniel Brühl), are in Chile at a time of political unrest. The Chilean president, socialist Salvador Allende, has been forced out of power due to a military coup. Allende would die on September 11, 1973, as the government was taken over by General Augusto Pinochet. Pinochet would seize power from civilians, suspend the constitution, and impose martial law.

Daniel supports former President Allende and has given speeches to Chileans. Pinochet’s secret police, Dirección de Inteligencia Nacional (DINA), rounds up people who are loyal to the deposed president. Daniel gets abducted by DINA. Lena decides to track him down, eventually finding out that he is being held by a secret organization called Colonia Dignidad, which turns out to be a religious cult run by a German lay preacher named Paul Schäfer (played by the late Michael Nyqvist). Against the advice of wiser people, who warn her that if she joined the cult, she will not be able to escape it, Lena decides to join Colonia Dignidad in an attempt to find her boyfriend.

The UK Trailer for Colonia.

Lena does find Daniel, who has been tortured with electric shocks and acts as if he’s disabled in order to escape scrutiny. But she’s abused by the leaders of the cult, to include a vile old woman named Gisela (Richenda Carey) who calls the women “cunts” and forces them to work without food or water. The couple befriend a nurse named Ursel, who is pregnant. They try to escape the compound, which is a heavily guarded fortress. Ursel is killed, but Daniel and Lena manage to get to the West German embassy, where they are betrayed. However, against the odds, they manage to leave the country with incriminating photographs of Colonia Dignidad, as the Lufthansa pilot takes off without official clearance from flight controllers, and spirits the couple back to Germany.

Paul Schäfer

Adding to this film’s intrigue is the story of Paul Schäfer. If you read this blog regularly, you might know that I find religious cults fascinating. I think a lot of them are just plain evil. Paul Schäfer was born in Bonn in 1921. Due to an accident with a fork, he lost his right eye. He later told people that he lost his eye due to a war injury during World War II; as Schäfer did serve as a medic in a German hospital in occupied France. Later, he was influenced by the American Baptist preacher, William M. Branham, who also influenced Jim Jones. Branham advocated a strict adherence to the Bible, which Schäfer also demanded of his followers.

Schäfer became a lay preacher and opened a children’s home in Siegburg, but was later run out of Germany because he was accused of molesting two boys in his care. Schäfer subsequently relocated his ministry to the Middle East, where he met the Chilean ambassador to Germany, who invited him to Chile. By 1961, Schäfer had moved to Chile, where his cult took root. The Chilean president at the time, Jorge Alessandri, granted him permission to launch the “Dignidad Beneficent Society” on a farm outside of Parral, in southern Chile. The society, which was founded on Baptist principles and anti-communism, eventually turned into Colonia Dignidad– the place where Daniel and Lena ended up in the film, Colonia.

The character, Paul Schäfer, appears just after Daniel has been tortured with electric shocks. Daniel is shown strapped to a metal bed frame, naked except for his underwear. As Daniel recovers from being beaten and repeatedly shocked, Schäfer shows up and comforts him, hugging him and speaking soothingly to him. As a viewer, I am led to believe this is how the cult leader gets Daniel into the compound, where he and the rest of the followers are forced to work. Males and females are kept apart, and children are separated. Although it’s not explicitly shown in the film, it’s implied that Schäfer molests boys. Indeed, the real Paul Schäfer was found to have molested hundreds of boys over his forty years leading the cult. But Schäfer colluded with the Pinochet regime, arranging to smuggle in weapons from Germany, since shipments bound for his ministry were never inspected by customs because they were for a “charity”.

Schäfer also conducted torture and took care of executions for the Pinochet regime, as he also ran a hospital. After a hunting accident, which required Schäfer to undergo medical care at a hospital in Santiago for months, Schäfer came back to his fortress and forbade all festivities. In 1966, a teenager named Wolfgang Kneese managed to escape the fortress and spoke to the press. Schäfer got another teenager, name of Hartmut Hopp, to accuse Kneese of sexual misconduct. Hopp was rewarded by Schäfer, who allowed him to study medicine. Hopp served as a physician in the hospital; he also prescribed sedatives for Schäfer, who would use them to subdue his victims, boys he raped who were sent to his colony.

In real life, Schäfer duped locals into following him until he finally lost favor when Pinochet stepped down in 1990. The next leader, Patricio Aylwin, stripped Schäfer’s ministry of its charity status and cut off funding for Schäfer’s hospital. In 1997, Schäfer disappeared, as he was up on child sexual abuse charges. He was tried in absentia in 2004, and found guilty. Schäfer was also wanted in Germany and France, having also been accused of child abuse in both countries. In March 2005, Schäfer was finally found hiding out in a townhouse in a gated community about 25 miles from Buenos Aires, Argentina. He was arrested and sent back to Chile. In 2006, he was sentenced to 20 years in prison for sexually abusing 25 children. He was also fined 770 million pesos, which was to have been distributed to his victims. He died on April 24, 2010 at age 88 of heart failure.

Lena gets verbally abused.

I wish Colonia had gone more into detail about Paul Schäfer. In fact, I think they should make a movie about him, to show how a charismatic man who preaches about Christianity can turn out to be pure evil. In the film, Schäfer is explicitly shown abusing women– forcing them to listen to a boy soprano sing “Ave Maria” in front of a room full of angry men. Schäfer would make a woman sit alone in front of the men, then viciously debase her in front of the men, who would grow more hostile until they were driven to attack her. He would sniff her, calling her a harlot and a slut. He forced the women to bind their breasts. The child abuse was sort of alluded to, but in the film he appears to have been a misogynist, more than anything else.

My thoughts

Before yesterday, I knew nothing at all about Chilean politics. In fact, the only thing I knew about Augusto Pinochet was that his name is in an old song by Sting. His song, “They Dance Alone (Cueca Solo)”, was on the 1987 album, Nothing Like the Sun, which was released when I was fifteen years old and in the tenth grade. I didn’t know anything about American politics in 1987, let alone what was going on in Chile. But now that I’ve seen Colonia and was curious enough to learn more about the film, that song makes a lot more sense.

Gee… now I know what this song is about.

They Dance Alone by Sting

Why are there women here dancing on their own?
Why is there this sadness in their eyes?
Why are the soldiers here
Their faces fixed like stone?
I can’t see what it is that they despise

They’re dancing with the missing
They’re dancing with the dead
They dance with the invisible ones
Their anguish is unsaid
They’re dancing with their fathers
They’re dancing with their sons
They’re dancing with their husbands
They dance alone They dance alone

It’s the only form of protest they’re allowed
I’ve seen their silent faces scream so loud
If they were to speak these words they’d go missing too
Another woman on a torture table what else can they do
They’re dancing with the missing
They’re dancing with the dead
They dance with the invisible ones
Their anguish is unsaid
They’re dancing with their fathers
They’re dancing with their sons
They’re dancing with their husbands
They dance alone They dance alone

One day we’ll dance on their graves
One day we’ll sing our freedom
One day we’ll laugh in our joy
And we’ll dance
One day we’ll dance on their graves
One day we’ll sing our freedom
One day we’ll laugh in our joy
And we’ll dance

Ellas danzan con los desaparecidos
Ellas danzan con los muertos
Ellas danzan con amores invisibles
Ellas danzan con silenciosa angustia
Danzan con sus padres
Danzan con sus hijos
Danzan con sus esposos
Ellas danzan solas
Danzan solas

Hey Mr. Pinochet
You’ve sown a bitter crop
It’s foreign money that supports you
One day the money’s going to stop
No wages for your torturers
No budget for your guns
Can you think of your own mother
Dancing with her invisible son
They’re dancing with the missing
They’re dancing with the dead
They dance with the invisible ones
Their anguish is unsaid
They’re dancing with their fathers
They’re dancing with their sons
They’re dancing with their husbands
They dance alone
They dance alone

Turns out Sting was right. Mr. Pinochet left power just a few years after this song was released.

But anyway… while I think Colonia could have been a better film, and it was really just based on true events, it did lead me to learn more about Chilean politics. And now, I finally have more of an understanding of what “They Dance Alone” is about. I may or may not be moved to learn more about this subject, which isn’t a bad accomplishment for a film. A lot of people gave Colonia bad reviews, but I think if a movie inspires someone to do research, it’s done something pretty amazing. So, for that reason, I can’t pan it. I do think it’s kind of misleading, though, and I think it would have been a better story if the focus had been more on Schäfer, rather than Daniel and Lena. Also, bear in mind that a lot of the movie was filmed in Europe, with only a few scenes filmed in Argentina.

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